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Issues : EE revisions
b. 45
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE, the triplets on the 6th and 7th quavers in the bar open with a d category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Annotations in FES |
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b. 46
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composition: Op. 11, Concerto in E minor, Mvt II
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Fontana's fingering added in EE is the most natural continuation of the Chopinesque entry written in FES – see the previous note. An identical fingering is written in FEH, perhaps based on a Chopinesque remark. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 47
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we add a cautionary category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 49
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composition: Op. 11, Concerto in E minor, Mvt II
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Chopin's poorly legible entry in FES most probably indicates the use of the 4th finger on d category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FES |
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b. 49
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE (→GE1→GE2), there is no accidental before the 4th demisemiquaver before last. The missing category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions , Cautionary accidentals , Omission of current key accidentals , Last key signature sign , Errors repeated in GE |