Issues : Annotations in teaching copies
b. 26
|
composition: Op. 11, Concerto in E minor, Mvt II
..
The convergence with the fingering of FED provides, according to us, a sufficient guarantee for the authenticity of the entry of FEH, hence we include it in the main text. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
||||||||
b. 29
|
composition: Op. 11, Concerto in E minor, Mvt II
..
The variant included in FEH bears the hallmarks of authenticity. Leading the melody inside more extensive chords, often within the span of a ninth between the outermost sounds, belongs to Chopin's characteristic compositional and pianistic means (cf. e.g. the Ballade in G minor, op. 23, bar 114 and 174, the Prelude in F major, op. 28, no. 13, bars 30-32, the Sonata in B minor, op. 35, the 3rd mov., bars 19-20, the Prelude in C minor, op. 45, bar 79). category imprint: Differences between sources |
||||||||
b. 36-39
|
composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
||||||||
b. 37
|
composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
||||||||
b. 37
|
composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |