Issues : Annotations in teaching copies
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b. 26
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composition: Op. 11, Concerto in E minor, Mvt II
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The convergence with the fingering of FED provides, according to us, a sufficient guarantee for the authenticity of the entry of FEH, hence we include it in the main text. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 29
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composition: Op. 11, Concerto in E minor, Mvt II
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The variant included in FEH bears the hallmarks of authenticity. Leading the melody inside more extensive chords, often within the span of a ninth between the outermost sounds, belongs to Chopin's characteristic compositional and pianistic means (cf. e.g. the Ballade in G minor, op. 23, bar 114 and 174, the Prelude in F category imprint: Differences between sources |
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b. 36-39
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
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b. 37
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
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b. 37
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources |
major, op. 28, no. 13, bars 30-32, the Sonata in B
minor, op. 35, the 3rd mov., 
