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Issues : Annotations in FEH
b. 43
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composition: Op. 11, Concerto in E minor, Mvt II
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None of the first editions includes a category imprint: Differences between sources |
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b. 46
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composition: Op. 11, Concerto in E minor, Mvt II
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Fontana's fingering added in EE is the most natural continuation of the Chopinesque entry written in FES – see the previous note. An identical fingering is written in FEH, perhaps based on a Chopinesque remark. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 47-48
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composition: Op. 11, Concerto in E minor, Mvt II
category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FES , Annotations in FEH |
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b. 47
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we add a cautionary category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FEH |
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b. 49
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composition: Op. 11, Concerto in E minor, Mvt II
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In FEH, the ending of this bar was provided with two diagonal crosses, with which Chopin would often mark places discussed during lessons, most probably problematic. Moreover, there is an ambiguous entry between a category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Authentic post-publication changes and variants , Annotations in FEH |