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Fingering

b. 26

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

Fingering written into FED

No teaching fingering

..

The convergence with the fingering of FED provides, according to us, a sufficient guarantee for the authenticity of the entry of FEH, hence we include it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH

b. 26-27

composition: Op. 11, Concerto in E minor, Mvt II

No fingering

Fingering in EE

..

The fingering given in EE is very natural, and it is likely that Chopin imagined the performance of that detail precisely in that way. However, it does not ensure that Fontana disposed of Chopin's indication in that respect.

category imprint: Differences between sources

issues: EE revisions

b. 36-39

composition: Op. 11, Concerto in E minor, Mvt II

Fingering numeral written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 37

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 37

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FEH

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH