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Op. 11, Concerto in E minor, Mvt II

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Issues : Annotations in teaching copies

b. 20

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 21

composition: Op. 11, Concerto in E minor, Mvt II

No marks in FE (→GE,EE)

Dots in FED

Our variant suggestion
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The staccato dots over the last two quavers were added in FED; most probably by Chopin.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 23

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES, probable reading

No fingering in FE (→GE)

Fingering in EE
..  

category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 23

composition: Op. 11, Concerto in E minor, Mvt II

..

In FE, the part of the L.H. is misaligned with the R.H. in the 2nd half of the bar – the last quaver, f, falls already under the dotted quaver c3. The inaccuracy was corrected in GE and EE, whereas the mark indicating the right synchronization is written in FEH. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Synchronization markings , Annotations in FEH

b. 25

composition: Op. 11, Concerto in E minor, Mvt II

Fingering written into FES

No teaching fingering
..

The meaning of the vertical line added in FES is not entirely clear; however, it is most likely a fingering digit.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES