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Issues : Authentic corrections of FE
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b. 47
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we give the complete slurring of FE. The versions of EE and GE1 (→GE2) are most probably a result of the engravers' mistakes. A single slur in GE3 is probably modelled after the slurring of an analogous phrase in bars 95-96. category imprint: Differences between sources issues: Errors in EE , Errors in GE , Authentic corrections of FE |
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b. 69
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composition: Op. 11, Concerto in E minor, Mvt II
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The category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 72-73
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composition: Op. 11, Concerto in E minor, Mvt II
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The absence of the dots increasing the duration of the bass notes most probably results from an inaccurately implemented proofreading of FE, for in this edition, there are visible traces of correcting in print the first notes in the bar from the following notation: category imprint: Interpretations within context; Source & stylistic information issues: Inaccuracies in FE , Errors resulting from corrections , Authentic corrections of FE |
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b. 92-94
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composition: Op. 11, Concerto in E minor, Mvt II
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It is difficult to consider the missing slur in GE an oversight, since the slur in FE consists of two sections in two lines of the text. Therefore, the engraver of GE would have had to overlook two marks (as well as the wedges at the beginning of bar 94). It means that the slur was almost certainly added by Chopin in the last phase of proofreading of FE. A shorter slur in EE is probably a result of the engraver's inaccuracy. category imprint: Differences between sources issues: EE inaccuracies , Authentic corrections of FE |
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b. 94
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composition: Op. 11, Concerto in E minor, Mvt II
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Like in the case of the slur, the missing wedges over the 1st quaver in the bar (in both hands) in GE prove that Chopin most probably added them in the last phase of proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE , Wedges |
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