Issues : GE revisions
b. 94
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we give the unequivocal rhythm of FE (→EE). In GE1 (→GE2), the whole group of 6 notes was combined by mistake with a demisemiquaver beam, which was revised in GE3 by adding the digit 6 and moving the last quaver in the L.H. under f2. It resulted in a totally arbitrary and still erroneous version, since the sextuplet should be written with semiquavers in this place. category imprint: Differences between sources issues: Errors in GE , GE revisions , Rhythmic errors |
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b. 96
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composition: Op. 11, Concerto in E minor, Mvt II
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Naturally, the version of GE1 is erroneous – cf. all variants of this phrase in bars 47, 49 and 98, where the respective note is never lowered. A sharp was most probably added as part of a routine revision of accidentals – the reviser probably did not recognise the unusual G major key and having considered the f2 note in the 1st half of the bar to be a typical alteration of g2, he "corrected" the alleged oversight of its cancellation. The mistake was corrected in GE2 (→GE3). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 99
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composition: Op. 11, Concerto in E minor, Mvt II category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions |
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b. 100
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composition: Op. 11, Concerto in E minor, Mvt II
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Leading the dashes marking the range of smorz. only to the 2nd beat of the bar must be considered an inaccuracy – the indication is almost certainly to be valid until rallent. – just like in GE – or until the end of the bar, which we suggest in the main text. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 101
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composition: Op. 11, Concerto in E minor, Mvt II
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Like in analogous bars 50-52, the pedal release moment from bar 99 we suggest (compliant with the indication introduced in GE3) allows for maintaining the dying sound of the broadly broken G major chord until the end of the phrase. In this case, one can also, according to us, imagine an even longer pedal hold, e.g. to the end of the 3rd beat of bar 101 or even to the end of bar 103. category imprint: Differences between sources; Editorial revisions issues: GE revisions , No pedal release mark |