FE1
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 111-113

Fingering written into FEH

Fingering written into FES, bar 113

Fingering based on FES, bar 111

No fingering in FE (→GE)

Fingering in EE

It is difficult to evaluate the authenticity of the fingering of FEH in bars 111 and 113 – the digits are very similar to the Chopinesque ones, but the fingering differs from the one written by Chopin (in pencil, under Miss Stirling's entry written in ink) in FES. From the pianistic point of view, both fingerings are natural and convenient – in the fingering of FES, the next note, b1, is most probably to be performed with the 5th finger; it may be easier for a smaller hand. The digits added by Fontana in EE define the same fingering that was written in FEH.
In the main text, we give the fingering written in FES the first time the passage appears, i.e. in bar 111 – cf. the General Editorial Principlesp. 17.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies, EE revisions, Differences in fingering, Annotations in FES, Annotations in FEH

notation: Fingering

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