GE1
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 104-105

a tempo in bar 105 in FE (→EE)

Tempo 1o in bar 104 in GE

The return to tempo is marked in FE (→EE) in bar 105, in the solo part only. Tempo 1was introduced a bar earlier in GE, also in the orchestral part, which is most probably an editorial revision – cf. a similar situation in bar 52. In the discussed bar, the solution adopted in GE cannot be deemed improper – although the range of the rallentando from the previous bar is marked with dashes and it does not embrace bar 104, the placement of a tempo in bar 105 may suggest that the slowed-down tempo was valid still in bar 104, which, most probably, was not compliant with Chopin's intention. However, it is to be observed that the ambiguity concerns FEpiano (→EE) only – when performing the Concerto with orchestra, a tempo in bar 105 is a sufficient piece of information for the soloist, who does not play in bar 104, while in the orchestral part (FEorch), which enters on the last beat of bar 103, rallentando is not marked at all, so bar 104 is simply performed in the normal tempo of this movement.

A tempo in bar 104 is present in MFrw, which may indicate that in the earlier sources of the orchestral part, the return to the tempo primo was marked already in bar 104.

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Verbal indications

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