Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt II
In FE, there are no rests in the original notation of this bar, as a result of which it is not entirely clear which hand is supposed to perform the orchestral part on the 2nd and 3rd beats of the bar. Therefore, in the main text we suggest the indication assigning these crotchets to the left hand, which may have come from Chopin.
Compare the passage in the sources »
category imprint: Differences between sources
issues: Annotations in teaching copies, Annotations in FEH
notation: Fingering
