Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt II
In FE, three subsequent accents under the dotted quavers, although they look like short ones, are of a slightly different length, related to the length of the beam above them. It may indicate that the engraver considered them to be diminuendoes (
), which, in turn, points to the use of long accents by Chopin. Cf. similar motifs in the 1st mov. of the Concerto, bars 4-6.
Compare the passage in the sources »
category imprint: Graphic ambiguousness; Editorial revisions
issues: Long accents
notation: Articulation, Accents, Hairpins
