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Issues : Placement of markings
b. 315-316
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE), the placement of the category imprint: Differences between sources; Editorial revisions issues: Placement of markings , GE revisions |
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b. 463-465
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composition: Op. 11, Concerto in E minor, Mvt I
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The ties at the transition between bars 463-464 and 464-465 are placed in the sources on the note head side, which invites to be prudent in their interpretation – in [A], they could have been motivic slurs. The latter do not seem to be necessary here, which is indicated by a comparison with the notation of bars 462-463 and 465-466. On the other hand, ties could have also been intended by Chopin, hence in the main text we add motivic slurs, but we do not remove the ties. category imprint: Editorial revisions issues: Placement of markings |
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b. 616
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composition: Op. 11, Concerto in E minor, Mvt I
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The accent, placed in FE (→EE) over the non-played note, must have been inaccurately reproduced. According to Chopin, it could have applied to the b category imprint: Editorial revisions issues: Long accents , Placement of markings |
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b. 617
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composition: Op. 11, Concerto in E minor, Mvt I
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The position of the accent raises doubts – a combination of a vertical and long accent is rather uncommon in Chopin's output. Therefore, in the main text we assign the accent to the L.H., assuming that FE misinterpreted the position of the mark (both in FE and [A] the distance between the staves was small, hence the marks placed between them would sometimes be ambiguous). See also bar 616 and 618. category imprint: Editorial revisions issues: Placement of markings |
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b. 618
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composition: Op. 11, Concerto in E minor, Mvt I
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Like in bar 618, one can assume that the
category imprint: Differences between sources; Editorial revisions issues: Long accents , Placement of markings , Scope of dynamic hairpins |