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Issues : Annotations in FEJ
b. 149
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→GE1), the last 8 notes are written as 2 groups of semiquavers. The division into groups suggests that Chopin meant a strict and regular division, so the notes should be demisemiquavers. A respective change was introduced in EE and GE2 (→GE3). Additional beams were added also in FEJ, although it is impossible to confirm the authenticity of such a non-characteristic entry. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Rhythmic errors , Annotations in FEJ , Errors repeated in GE |
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b. 555
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composition: Op. 11, Concerto in E minor, Mvt I
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The sharp before the last semiquaver in FE is almost certainly a mistake – it is proved by comparison with analogous bar 196, 200 and 551, supported by deletion of the unnecessary accidental in FEJ. The awkward e category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Errors resulting from corrections , GE revisions , Annotations in FEJ |
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b. 582
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE), the sharp is placed over the grupetto mark. The patent mistake was corrected in GE by removing the erroneous mark. In the main text, we move the category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , GE revisions , Annotations in FEJ , Errors repeated in EE |