![](/build/images/logo_left-en.png)
![](/build/images/pl-button.5cab5de0.png)
![](/build/images/pomoc-button.d3d09842.png)
![](/build/images/pomoc-button-en.5098433b.png)
Issues : Cautionary accidentals
b. 425
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we omit the unjustified category imprint: Editorial revisions issues: Cautionary accidentals |
|
b. 429
|
composition: Op. 11, Concerto in E minor, Mvt I
..
We include the cautionary category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
|
b. 432-433
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The notation of FE (→EE1) is devoid of cautionary accidentals in bar 432. In EE2 (→EE3), a category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Cautionary accidentals |
|
b. 436
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The traces of changes visible in FE prove that Chopin changed the enharmonic notation of the chord – c1 (with a cautionary category imprint: Corrections & alterations; Source & stylistic information issues: Cautionary accidentals , Enharmonic corrections , Last key signature sign |
|
b. 471
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The cautionary natural before C seems to be equally justified as the authentic mark before g3. In the main text, we add also a category imprint: Editorial revisions issues: Cautionary accidentals |