Issues : Inaccuracies in A
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b. 91
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, a is written only next to the minim in the top voice. This patent inaccuracy was corrected already in FE (→GE,EE). The cautionary before c2 in this chord, present in all sources, is also noteworthy; it is unjustified in this context (omitted in the main text). category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , Cautionary accidentals , FE revisions , Inaccuracies in A |
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b. 95
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 96
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut (→FE), there is no before e3, which is necessary, considering the notation with octave sign used in these sources. The mark was added both in EE and GE; in the latter, it was added despite the fact that the use of an octave sign was abandoned. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Inaccuracies in A , Errors repeated in FE |
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b. 110
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the rhythmic value of the d1 minim is unclear – there is no stem next to it, hence it seems to be a semibreve. It can be a mere deficiency, frequent in Chopin's autographs; however, it cannot be excluded that Chopin planned here a dotted minim, like it is in the orchestra (bassoon I) and in similar bars 122 and 682. category imprint: Graphic ambiguousness; Differences between sources issues: Rhythmic errors , FE revisions , Inaccuracies in A |
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b. 128
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Omission of current key accidentals , FE revisions , Inaccuracies in A |
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