Shorthand & other
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b. 179-194
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 195-210
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 211-231
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
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b. 221-222
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE, the bars are separated with a double bar line, which was a routine procedure while changing the key signature. In the main text, we preserve the undoubtedly authentic notation of FE (→EE) with a single bar line – Chopin's autographs prove that the composer generally did not use double bar lines at the time of changing the key (cf. e.g. the Mazurka in C major, op. 24, no. 2, bar 56). category imprint: Differences between sources issues: GE revisions |
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b. 232-256
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: |