Fingering
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b. 645-647
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering given by Fontana in EE and the one entered in FEH are compliant – both develop Chopin's printed indication. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 649
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 660
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we give a fingering that was probably written by Chopin in FEH, essentially compliant with the Chopinesque entry in FED. In this situation, the authenticity of a different fingering, given by Fontana in EE, seems to be out of the question. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering , Annotations in FEH |
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b. 663
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering of the L.H. was added by Chopin most probably in the last phase of proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 665-666
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering in FED quite significantly differs from the other entries in this copy in terms of size and font, so it seems that it could not have been written by Chopin or Miss O'Meara. In spite of that, the fingering is practically identical with the one that Chopin wrote above a similar sequence of chromatic fourths in the copy of the Grand Duo Concertant, Dbop. 29 belonging to Miss Forest. category imprint: Differences between sources |
