Pitch
b. 328
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composition: Op. 11, Concerto in E minor, Mvt I
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In GE and EE2 (→EE3), a cautionary was added before c4. Moreover, in GE, a cautionary was added before d3, the antepenultimate semiquaver. We introduce the latter into the main text. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions |
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b. 328
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we add a cautionary before the 8th semiquaver, b1. The mark was added both in GE and EE; in both editions, a lowering this note to b1 was initially added. In EE, this routine revision, unsuitable in this context, was detected still before EE1 had been published (probably thanks to Fontana), whereas in GE, the mistake was corrected only just in GE2 (→GE3). category imprint: Differences between sources issues: EE revisions , Errors in GE , GE revisions |
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b. 328
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE, there are visible traces of corrections concerning the last four top semiquavers in the L.H. – b2-b2-a2-g2. Initially, it was an a2-a2-b2-b2 sequence that was printed here, certainly by mistake, which is a respective fragment of the previous bar. category imprint: Source & stylistic information issues: Authentic corrections of FE |
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b. 329
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text we add a cautionary before the trilled f3 minim. The mark was added already in GE. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 338
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→GE), there are sharps (reminding?) before d2 and f2 on the 5th semiquaver of the bar. We remove them in the main text, since both notes (f2 and d3) are present in the previous bar. The marks were removed also in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions , Cautionary accidentals , Last key signature sign |