Issues : EE revisions
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b. 193
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composition: Op. 11, Concerto in E minor, Mvt I
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Both source fingerings are generally concordant – the only doubt concerns the continuation of the fingering in the L.H. in FEH (the concordance is perfect with complementary indications in analogous bar 548). However, their possible authenticity is uncertain. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 196-198
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composition: Op. 11, Concerto in E minor, Mvt I
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Out of the two digits visible in FEH in analogous places in bars 196 and 198, in the main text we include only the first one, written probably by Chopin. This entry confirms Fontana's fingering, at least in its part from the 3rd to the 6th semiquaver in bar 196. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 198
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE, a cautionary category imprint: Differences between sources issues: EE revisions |
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b. 199-201
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composition: Op. 11, Concerto in E minor, Mvt I
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Chopin did not always mark arpeggios of tenth and broader chord, perhaps considering it to be obvious. Arpeggio in analogous bar 554 confirms that the absence of the wavy lines in bars 199 and 201 is most probably simply an inaccuracy of notation. The marks were added in EE2 (→EE3). category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 201
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources; Editorial revisions issues: EE revisions |
was added before f
2, poorly justified in this context.
