



b. 456
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The fingering indicated by Fontana naturally stems from the Chopinesque indication. category imprint: Differences between sources issues: EE revisions |
|||||
b. 456-470
|
composition: Op. 11, Concerto in E minor, Mvt I category imprint: |
|||||
b. 457
|
composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
|||||
b. 457-458
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Fontana completed the Chopinesque fingering so that one does not need to guess anything at all. category imprint: Differences between sources issues: EE revisions |
|||||
b. 457-458
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the main text, we suggest a phrase mark for the L.H., modelled after analogous bars 459-460 and 461-462. category imprint: Editorial revisions |