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b. 186-190

composition: Op. 11, Concerto in E minor, Mvt I

..

In the sources, a cautionary  was repeated before the 2nd grace note in bar 186, which, according to us, is not necessary. In bar 190 in FE (→EE), there are no naturals before any of the grace notes, which the engraver of GE considered to be an inaccuracy requiring an intervention. In the main text, we suggest naturals before the first grace note in each of these bars.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions , Cautionary accidentals

b. 190

composition: Op. 11, Concerto in E minor, Mvt I

e2 in FE (→EE) & GE3

e2 in GE1 (→GE2)

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The version of GE1 (→GE2) – certainly erroneous, cf. bars 186, 541 and 545 as well as 182 and 537 – probably came into being as a result of an overzealous action of the reviser who added here cautionary naturals before the ggrace notes. The mistake was corrected in GE3

category imprint: Differences between sources

issues: GE revisions

b. 190

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE, there is no accidental before the penultimate semiquaver. In this situation, the absence of a  is a patent mistake, corrected both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals

b. 195

composition: Op. 11, Concerto in E minor, Mvt I

g1 in chord in FE (→EE)

e1 in chord in GE

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There is no indication that the version of GE could be possibly authentic; it is most probably a typical example of the Terzverschreibung error.

category imprint: Differences between sources

issues: Errors in GE , Terzverschreibung error

b. 198

composition: Op. 11, Concerto in E minor, Mvt I

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In EE, a cautionary  was added before f2, poorly justified in this context.

category imprint: Differences between sources

issues: EE revisions