Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
The 
marks added in GE3 in bars 15 and 19 were drawn from the parts of violin I, violas and cellos in FEorch (→GEorch). It is difficult to determine whether differing indications between the orchestral part and Atut (→FE→EE,GE1→GE2) were intended by Chopin or whether they resulted from lack of coordination of corrections introduced in various sources (cf. bars 13-15 and 33). In the latter, it would not be actually possible to determine chronology of the versions and, consequently, Chopin's latest intention. In such an uncertain situation, in the main text we reproduce the version of the undoubtedly authentic sources – Atut and the editions based thereupon.
category imprint: Differences between sources
issues: GE revisions
notation: Verbal indications
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