Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Compositions
0
Op. 11, Concerto in E minor, Mvt I
FE1
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Main text
Atut
- Autograph of first Tutti
FE
- French edition
FE1
- First French edition
FED
- Dubois copy
FEFo
- Forest copy
FEH
- Hartmann copy
FEJ
- Jędrzejewicz copy
FES
- Stirling copy
GE
- German edition
GE1
- First German edition
GE2
- Corrected impression of GE1
GE2a
- Altered impression of GE2
GE3
- Second German edition
EE
- English edition
EE1
- First English edition
EE2
- Corrected impression of EE2
EE3
- Revised impression of EE2
According to us, the accent emphasising the beginning of the second phrase is of structural significance and should not be omitted.
Compare the passage in the sources »
See b. 487
category imprint: Editorial revisions
notation: Articulation, Accents, Hairpins
