EE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 550-554

3 arpeggio signs in FE (→EE)

No signs in GE

In the entire fragment (bars 550-556), GE is devoid of arpeggio marks, in spite of the fact that in FE (→EE) arpeggios are featured in 3 places – before the 1st chord in bar 550 and 553 and before the minim in bar 554. The excessive length of marks, which consist of six and not four parts, like the majority of arpeggios in the Concerto (e.g. in bars 570 and 572 placed on the same page in FE), seems to indicate the fact that the wavy lines were added in the last phase of proofreading of FE as the reason for the absence of marks in GE

Compare the passage in the sources »

category imprint: Differences between sources

issues: Authentic corrections of FE

notation: Ornaments

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Original in: New York Public Library at Lincoln Center