EE2
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 550

No marking in FE (→GE,EE1EE2)

Arpeggio sign in EE3

Arpeggio sign suggested by the editors

In bars 550-556, such markings as accents or arpeggios appear in FE quite irregularly. A comparison with analogous fragment of exposition (bars 195-201) allows us to consider those irregularities to be most likely accidental inaccuracies, since analogous markings do appear there. Due to this reason, in the main text we suggest respective additions:

  • accent and arpeggio in bar 550,
  • accent over g​​​​​​​2 in bar 551,
  • arpeggio in bar 552,
  • accent in bar 554,
  • arpeggio in bar 556 (by analogy with bar 197).

In turn, we do not add slurs in the L.H. in bars 551-552 and 555-556, since none of those places feature a similar slur. We also leave the minim chord in bar 556 without accent, since continuation in bar 557 and further is different than in exposition – rests in the L.H. part and no virtuoso con fuoco passages like in bars 203-210.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

notation: Ornaments

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Original in: Conservatoire de Genève