Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
The shift of the 
mark most probably resulted from lack of space in [A] under the stem of the minim in the L.H. In GE, the mark was placed in accordance with the pianistic sense, i.e. at the beginning of the bar.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Inaccuracies in FE, GE revisions
notation: Pedalling
