Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
In FE, the visible traces of corrections performed in print prove that this bar underwent a serious, probably multiple-stage, proofreading. However, we did not manage to decipher the original text, although some of the removed elements are quite clearly visible. The erroneous version of GE – 
– probably corresponds to the penultimate stage of the changes introduced in FE. The final text is unquestionable – the version of FE is compliant with the chord in the orchestral part and must correspond to Chopin's intention, since it was proofread a few times. We consider the version resulting from the removal of the erroneous 
from before the 1st chord, generally compliant with the text of the remaining sources, to be the edited text of GE1 (→GE2). GE3 introduced the same change; it also removed the superfluous 
from before b1. None of GE contain cautionary naturals before a and a1, which are present in FE (→EE).
Compare the passage in the sources »
category imprint: Differences between sources; Corrections & alterations
issues: EE revisions, GE revisions, Cautionary accidentals, Authentic corrections of FE, Errors repeated in GE
notation: Pitch
