Atut
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 609

Appoggiatura in FE (→EE)

Slashed grace note in GE

Just like in a few other places (e.g. bar 250 and 577), one can ponder whether the long grace note is just a proof of the engraver's carelessness in this place. This is how it was assessed in GE; however, according to us, the situation in this bar is different (as well as in bar 607) – Chopin would frequently use grace notes in the form of small crotchets before longer values, e.g. minims (cf. e.g. the Concerto in F Minor, Op. 21, 1st mov., bar 208, as well as the Impromptu in G​​​​​​​ Major, Op. 51, bar 104 or the Polonaise-Fantaisie, Op. 61, bar 209 and 212). Due to that reason, in the main text we leave the notation of FE (→EE). The above observations do not prove whether that notation is actually compliant with Chopin's intention; they only show that it is a possibility, hence the version of GE may be considered an acceptable variant (we encounter a short grace note in a similar context in, e.g. the Nocturne in C Minor, Op. 48 No. 1, bar 19).

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in FE, GE revisions

notation: Ornaments

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Original in: Österreichische Nationalbibliothek, Vienna