GE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 416

Fingering written into FEFo

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

The authenticity of the very entry in FEH is unconfirmed, but the indicated fingering is almost certainly Chopinesque. It is evidenced by the entry in FED in an analogous situation in bar 418, and the same fingering of the 2nd and 3rd beat written into FEFo. The fingering 321 for the repeated notes was also inscribed by Chopin in Waltz in E​​​​​​​ op. 18 (the initial motif and bar 21). The fingering of the four-note groups of semiquavers is compliant with the distinction of the inner voice indicated by Chopin in each of them. In the editors opinion, it is articulation and actually fingering that were an important, if not the most important, reason to apply this notation, which is indicated by the probably original form of these figures preserved, e.g. in bar 419.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, EE revisions, Annotations in FEH, Annotations in FEFo

notation: Fingering

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