EE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 416

e1-b1 in FE (→GE1,EE)

e1-a1 in GE2 (→GE3)

The version of GE2 (→GE3) was probably introduced to avoid dissonance with the C-c bass octave. It was most probably a comparison with similar bars 418, 410, 422 and analog., in which there are fourths, making up consonant triads with the L.H., that confirmed the conviction of the reviser of GE2 that the change is right. The fact that the text of FE (→GE1,EE) is error-free is confirmed by combining it with the orchestral part, in which e1-b1 in the piano corresponds with b1 in the accompanying part of violin I.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: GE revisions

notation: Pitch

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Original in: New York Public Library at Lincoln Center