Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
The prolongation of f
at the transition between the bars introduced in GE3 could have been aimed at avoiding repetition of that note, which makes this place similar to analogous bars 411-412. In turn, it is difficult to understand the motivation of the reviser of that edition at the time of removing the top f1 from the chord at the beginning of bar 436.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Pitch
