



FE1
compare
The prolongation of f at the transition between the bars introduced in GE3 could have been aimed at avoiding repetition of that note, which makes this place similar to analogous bars 411-412. In turn, it is difficult to understand the motivation of the reviser of that edition at the time of removing the top f
1 from the chord at the beginning of bar 436.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Pitch