Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
The notation of GE, in which the crotchet of the bottom voice was separated from the grace note that opens the trill, must be inauthentic and unclear – the fact that the notes written next to each other actually constitute one key strike is not obvious at all. The notation used in FE (→EE) is to be found in a number of Chopin's pieces, e.g. in the 2nd mov. of the Concerto, bar 55, as well as in the Concerto in F minor, op. 21, the 1st mov., bar 97, the Fantasy in A major, op. 13, bar 40 or Allegro de Concert, op. 46, bar 53 and analog.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions
notation: Ornaments
