Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
The traces visible in FE prove that, originally, the top voice was led differently: 
. It is the slur, removed at the time of that proofreading, that particularly draws attention – one can ponder whether it was not supposed to be adapted to the new shape of the melody and not to be removed. However, uncertain as to the range of a possible slur, we do not suggest any addition.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
issues: Authentic corrections of FE, Main-line changes
notation: Pitch
