Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
in The mark in EE3 was added undoubtedly under the influence of analogous bar 311, in which, however, the dynamic marks are generally different (even contradictory on the 3rd beat of the bar), and nothing suggests that Chopin would have accepted the possibility of compiling them.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Articulation, Accents, Hairpins
