Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 11, Concerto in E minor, Mvt I
] suggested by the editors
Chopin did not specify the moment of pedal release; he probably meant its gradual release, the so-called diminuendo pedal. Such notation is to be found on a number of occasions in his works, cf. e.g. the Etude in D
major, op. 25, no. 8, bar 27 or the Concerto in F minor, op. 21, the 1st mov., bars 299-300. In the main text, we suggest a mark more or less in the place where mixing subsequent chords dominates the echo of the bass B1-B octave.
Compare the passage in the sources »
category imprint: Editorial revisions
issues: No pedal release mark
notation: Pedalling
