Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
Placing the 
mark only just under the 2nd quaver must be a result of misunderstanding of the notation of the handwritten base text – due to the lack of space, Chopin would often put pedalling marks next to low-located notes.
Compare the passage in the sources »
category imprint: Interpretations within context
issues: Inaccuracies in FE, Errors repeated in GE, Errors repeated in EE
notation: Pedalling
