Atut
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 77-78

B repeated in Atut (contextual interpretation→FEGE)

B tied in Atut (possible interpretation) & EE

The issue of sustaining the minim is unclear. Bar 77 is the last one on a page in Atut and it is devoid of a tie. However, on a new page, in bar 78, there is an ending of such a tie. Since Chopin did not write a respective tie in an analogous situation in bars 81-82, we assume, in accordance with FE (→GE), that the ending of the tie was written in bar 78 by mistake. In this situation, the tie in EE added most probably by Fontana, modelled after the solo part (bars 238-239 and 242-243), is to be considered a variant of uncertain authenticity. See also bars 81-82.

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: EE revisions, Inaccurate slurs in A, Inaccuracies in A

notation: Rhythm

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Original in: Österreichische Nationalbibliothek, Wiedeń