Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
The Chopinesque piano reduction written in Atut (→FE→GE,EE) does not render the orchestral part accurately – in the 1st half of the bar, in FEorch (→GEorch), the bass voice, performed by cellos and double-basses, moves parallelly to the melodic line in violin I: 
.
Compare the passage in the sources »
category imprint: Corrections & alterations; Source & stylistic information
notation: Pitch
