EE1
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 13-15

Upon the first appearance of the three five-note descending motifs, it is the inconsistency between the authentic piano reduction, contained in Atut (→FEGE,EE), and the orchestral parts of FEorch (→GEorch) that draws our attention. The doublings in the upper octave are present only in the motif spanning bars 15 and 16, performed by Violins I, Violas and Cellos. In the 2nd half of bar 13, only Flute I plays, with the Flute II joining in unison for the following two notes, whereas the repetition of the motif in bars 14-15 is performed by Bassoon I. 
​​​​​​​For other discrepancies of this kind see bars 15-19 and 33.

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category imprint: Source & stylistic information

notation: Pitch

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