



b. 532
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composition: Op. 11, Concerto in E minor, Mvt I
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We preserve the original position of the staccato indication. It may mark a gradual change of articulation from legato to staccato during the chromatic sequence. category imprint: Source & stylistic information issues: Centrally placed marks |
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b. 532
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composition: Op. 11, Concerto in E minor, Mvt I
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In EE, omission of the cautionary category imprint: Differences between sources issues: EE revisions , Cautionary accidentals , Last key signature sign |
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b. 533
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composition: Op. 11, Concerto in E minor, Mvt I
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In the source version, we encounter evident, awkward in this context, parallel e-e1 and g-g1 octaves. A comparison with analogous bar 178 suggests – in the absence of arguments for differentiating these bars – a possibility of an erroneous swap of notes by the engraver of FE. Such mistakes can be found in first editions of Chopin's pieces, e.g. in the Prelude in B category imprint: Editorial revisions issues: Errors in FE , Omitted correction of an analogous place |
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b. 534-538
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composition: Op. 11, Concerto in E minor, Mvt I
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In bar 534, FEH repeated, this time without mistake, the fingering of exposition (see bars 179-184). In an abbreviated form, the fingering was repeated also in bar 535 and 538. category imprint: Differences between sources |
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b. 534
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |