Page: 
Source: 
p. 9, b. 159-181
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 178

Bars 176-181 contain a three-part descending progression. The repetitions of the scheme are generally accurate, except for three- and two-note irregularities at the beginning and end of this section. However, in order to maintain an absolute precision, the 4th semiquaver in bar 178 should be a c2, as a counterpart of d2 in bar 176 and b1 in bar 180, which implies a Terzverschreibung. However, in the main text we leave the version of the sources, since minor irregularities in the course of a progression are not unusual in Chopin's pieces, whereas the absence of [A] does not allow us to confirm a possible mistake. We add a cautionary  before the discussed note in the main text. An accidental was added also in GE2.

Compare the passage in the sources»

category imprint: Interpretations within context; Editorial revisions

issues:

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3