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p. 7, b. 112-133
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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FEJ - Jędrzejewicz copy
GE - German edition
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GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE1 - First French edition
FEJ - Jędrzejewicz copy
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EE3 - Revised impression of EE2
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  b. 122

Slurs in #FE (→GE,EE)

Slur suggested by the editors

A slurring that separates the grace note from the subsequent quaver is unnatural and points to a possibly inaccurate interpretation of the notation of [A]. However, it is unclear which slurs Chopin meant:

  • the slur could have been divided earlier –  or ;
  • both slurs were supposed to be combined, but the notation was imprecise.

In the main text, we adopt the latter, taking into account the slur in analogous bar 274.

See b. 112

Compare the passage in the sources »

category imprint: Interpretations within context; Editorial revisions

issues: Inaccuracies in FE

notation: Slurs

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3