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p. 2, b. 23-36
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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  b. 35

In the sequence led in parallel sixths, the accidentals on the 2nd and 3rd beats of the bar (until the b2-g3 crotchet) are written in the sources as if it constituted a separate bar and as if the L.H. were significantly or totally written on a separate (bottom) stave:

  • in FE, accidentals are present before each note of the R.H., including the first g1, as well as before seven notes in the L.H. – from b to g1 and b1;
  • GE repeated all accidentals present in FE except for the  before the first b in the L.H.; moreover, accidentals were added before the 2nd part of the undecuplet in the L.H., from c2 to a2;
  • EE provided each note in both hands with accidentals.

We base the main text on the notation of FE, removing three least justified, according to us, cautionary accidentals – the ​​​​​​​ before g1 in the R.H. and the naturals before b and b1​​ in the L.H.

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions, Cautionary accidentals

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3