mUltimate Chopin

Page:

Source:

p. 4, b. 52-75

p. 1, b. 1-22

p. 2, b. 23-36

p. 3, b. 37-51

p. 4, b. 52-75

p. 5, b. 76-94

p. 6, b. 95-111

p. 7, b. 112-133

p. 8, b. 134-158

p. 9, b. 159-181

p. 10, b. 182-209

p. 11, b. 210-230

p. 12, b. 231-247

p. 13, b. 248-263

p. 14, b. 264-285

p. 15, b. 286-309

p. 16, b. 310-333

p. 17, b. 334-359

p. 18, b. 360-379

p. 19, b. 380-399

p. 20, b. 400-419

p. 21, b. 420-443

p. 22, b. 444-468

Main text

FE - French edition

FE1 - First French edition

FEJ - Jędrzejewicz copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE2

EE3 - Revised impression of EE2

Select notes:

mark annotations

Category

Notation

Differences

No differences

FE - French edition

FE1 - First French edition

FEJ - Jędrzejewicz copy

GE - German edition

GE1 - First German edition

GE2 - Corrected impression of GE1

EE - English edition

EE1 - First English edition

EE2 - Corrected impression of EE2

EE3 - Revised impression of EE2

Importance

Undo Clear

transcript

Prezentacja

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b. 52-60

Wedges in FE (→EE)

Staccato dots in GE

In GE, all wedges in bars 52-53 and 56-60 were reproduced as staccato dots (one mark was overlooked – see bar 57). Such an arbitrary decision (inaccuracy?) frequently appears in first editions of Chopin's pieces – cf. e.g. the Sonata in B Minor, Op. 35, 2nd mov., bars 2-4. In the main text, we preserve the undoubtedly authentic notation of FE (→EE).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, GE revisions, Wedges

notation: Articulation, Accents, Hairpins

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3

Complete ➔

Op. 16, Rondo in E♭ major