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p. 21, b. 420-443
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 430

c2-es2 third in FE (→GE1,EE)

c2 & e2 in GE2

e suggested by the editors

In the editors' opinion, the c2-e2 third in FE (→GE1,EE) is most probably a mistake of the so-called "partial proofreading" – while proofreading the erroneous c2, the engraver added the correct note (e2) but did not remove the erroneous c2. The arbitrary version of GE2 makes it possible to avoid an unjustified pianistic complication. However, it is highly unlikely that it could have corresponded to Chopin's intention.

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category imprint: Differences between sources; Editorial revisions

issues: Errors in FE, GE revisions, Partial corrections

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3