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Source: 
p. 17, b. 334-359
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 341

e3 in FE (→GE1,EE1)

d3 in GE2 i EE2 (→EE3)

e​​​​​​​3 as the 5th semiquaver in FE (→GE1,EE1) is almost certainly a mistake – disturbing a regular progression is both harmonically and melodically unjustified. The engraver's mistake could have been provoked by resemblance of the 2nd half of that bar to the 1st half of the next one – such a hypothesis is confirmed by visible traces of removal of the  from before a3, the 7th semiquaver in bar 341, in FE. The revisers of GE2 and EE2 (→EE3) corrected that note.  

Compare the passage in the sources »

category imprint: Differences between sources

issues: EE revisions, Errors in FE, Errors in EE, Errors in GE, GE revisions

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3