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p. 10, b. 182-209
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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  b. 185

B​​​​​​​ in FE (→EE1EE2)

B in GE & EE3

B with ​​​​​​​ suggested by the editors

In GE, a  raising B to B​​​​​​​ was added, most probably arbitrarily, before the bottom note of the 2nd crotchet. The reviser of EE3 also added that mark, probably under the influence of GE. However, we believe that the  is not authentic, since avoiding a strict repetition of a progression's segments is characteristic of Chopin, cf. e.g. a nearly identical harmonic sequence in the Rondo in F Major, Op. 5, bars 438-440. In order to avoid misunderstandings, we add a cautionary  in this place. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, GE revisions

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3