Page: 
Source: 
p. 6, b. 95-111
p. 1, b. 1-22
p. 2, b. 23-36
p. 3, b. 37-51
p. 4, b. 52-75
p. 5, b. 76-94
p. 6, b. 95-111
p. 7, b. 112-133
p. 8, b. 134-158
p. 9, b. 159-181
p. 10, b. 182-209
p. 11, b. 210-230
p. 12, b. 231-247
p. 13, b. 248-263
p. 14, b. 264-285
p. 15, b. 286-309
p. 16, b. 310-333
p. 17, b. 334-359
p. 18, b. 360-379
p. 19, b. 380-399
p. 20, b. 400-419
p. 21, b. 420-443
p. 22, b. 444-468
FE - French edition
Main text
FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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FE - French edition
FE1 - First French edition
FEJ - Jędrzejewicz copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
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copy link PDF FE - French edition


  b. 99

c2 in FE (→GE1,EE)

as1 w FEJ

b1 in GE2

c2 as the last semiquaver in FE (→GE1,EE) is most probably a mistake – cf. analogous bar 251. It is confirmed by the Chopinesque correction performed in pencil in FEJ. In turn, the reviser of GE2 removed the harmonic inconsistency with the L.H. part, yet he did not take into account the melodic structure of the figuration.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Annotations in teaching copies, Errors in FE, Errors in EE, Errors in GE, Terzverschreibung error, Annotations in FEJ

notation: Pitch

Missing markers on sources: FE1, FEJ, GE1, GE2, EE1, EE2, EE3